Once again only a single manuscript of the Chronography contains an image for this month. This is MS Vienna 3146, which never contains the text of the poems, only the pictures. So for the poems, once again we are reliant on other, unillustrated, manuscripts, or the indirect tradition.
Here is the 4-line poem (tetrastich):
Nudus membra dehinc solares respicit horas
Iunius ac Phoebum flectere monstrat iter.
Lampas maturas Cereris designat aristas
floralisque fugas lilia fusa docent.June unclad then views the sundial’s time,
And shows that the sun is changing its course.Phoebus reveals that its path is changing.The Lamp-festival marks Ceres’ ripe ears of corn,
And the scattered lily-petals show the fading of the flower.
“Phoebus” here means the sun. The reference to “Lampas”, a festival with torches on the solstice is also attested in the ps.Chrysostom, De solstitiis et aequinoctibus (translated elsewhere on this site), the “dies lampadarum” or “day of torches”, or, more briefly, “lampas”, “the torch”.
The 2-line verse (distich) is as follows:
Iunius ipse sui causam tibi nominis edit
praegravida attollens fertilitate sata.June itself gives you the reason for its name,
Extolling having brought forth abundant fruitfulness.
Again the image is only preserved in the 16th century Vienna manuscript 3416, folio 25 (online here):
From Divjak and Wischmeyer, I learn that the depiction is of a naked youth carrying a torch, symbolising the solstice, a sundial on a pillar, and – indicating the harvest – a sickle, a basket of fruit, and a plant.
(For more information on this series of posts, please see the Introduction to the Poems of the Chronography of 354).
It seems like you have mistakenly written May instead of June in the first sentence.
Lovely post, as usual.
Ouch! Thanks for the typo, and the kind words.
The naked youth is pointing at the sundial: ‘And [June] shows that the sun is changing its course’. Phoebum cannot be the subject of monstrat.
Good grief yes. Thank you for catching that. That’s what I get for posting while supervising a plasterer working on my kitchen wall.