Yesterday the Museo Archeologico Nazionale di Venezia posted a gorgeous image on their twitter feed of a votive relief in their collection (inventory number 158). It depicts Cybele (left) and Attis, with two women, mother and daughter, entering the shrine through doors.
Just look at that, and admire.
The origins of the piece are unknown, as it was acquired by a Venetian nobleman in the 16th century. I don’t know what the dates offered – 3rd or 2nd century BC – are based on.
I looked this item up in the Corpus Cultus Cybelae Attidisque (CCCA) volume, where it is in vol. 7, pp.44-45. The entry is as follows:
Greyish-white marble relief (H. 0.57, W. 0.80, D. 0.06) from unknown provenance. Venice, Archaeological Museum, Inv. no 118, formerly in the Grimani collection.
Zoega, Bassor. II, 73 arbitrarily supposes that Smyrna or Magnesia ad Sipylum is the place of origin; G. Valentinelli, Catalogo dei marmi scolpiti del Museo archeologico della Marciana di Venezia, Venice 1863, no 233 and Pl. L; M. Collignon, Monuments grecs I, 1881, 11ff and Pl. 2; A. v. Salis in JdI XXVIII, 1913, 10 and fig. 6; C. Anti, Il Regio Museo archeologico nel Palazzo Reale di Venezia, Rome 1930, 104 ff and fig.17; F. Matz in AA 1932, 279; Schuchhardt in Die Antike XII, 1936, 103ff and Pl. 7; Kähler, Pergamon, 75f and 73 n. 70; Bruna Forlati Tamaro, Il Museo archeologico del Palazzo Reale di Venezia, Rome 1953, 21 no 17 and fig. on p. 62, who mentions “Asia Minor” as the origin and dates the monument to the second century B.C.; Lullies, Plastik, Pl. 230; Linfert in AA LXXXI, 1966, 496ff and fig. 2; Vermaseren, Legend Attis,2 3 and Pl. XII, 1.
At the left side of the relief Cybele, wearing polos, veil, four tresses of hair and a long garment, is solemnly standing in her temple, facing the entrance. She is holding a long sceptre in her right hand and a tympanum in her other hand. At her feet a seated lion. In front of her is Attis in oriental dress leaning with his left hand on the pedum, the point of which is resting on a mound of rocky soil. One door of the entrance is open and a mother and daughter are entering. The mother is holding an unidentifiable object in her left hand (bird or fruit?) and raising her left hand in adoration. The daughter is carrying a plate with both hands.
Date: middle of the third century B.C. (Lullies) ; second century B.C. (Tamaro).
The abbreviations used in the bibliography can be found in the full volume. A “pedum” is a shepherd’s staff with a curled end. Giovanni Grimani donated his family collection of artworks, obtained in Italy and the Eastern Mediterranean, to the republic of Venice in 1587.