Sudden ordination: the Great Mother wants you!

In ancient Rome, unless you were a senator, almost anyone could “get religion” really rather suddenly.  Martial[1] records one such instance:

When a dismissed veteran, a native of Ravenna, was returning home, he joined on the way a troop of the emasculated priests of Cybele.

There was in close attendance upon him a runaway slave named Achillas, a youth remarkable far his handsome looks and saucy manner. This was noticed by the effete troop; and they inquired what part of the couch he occupied. The youth understood their secret intentions, and gave them false information; they believed him.

After drinking sufficiently, each retired to his couch; when forthwith the malicious crew seized their knives, and mutilated the old man, as he lay on one side of the couch; while the youth was safe in the protection of the inner recess.

It is said that a staff was once substituted for a virgin; but in this case something of a different nature was substituted for a stag [=runaway slave].

An item found in the River Thames near London Bridge has been identified as a “castration clamp”.[2]  It is decorated with images of Attis, and also animals.  It may have been used to geld horses and bullocks; or for “religious purposes”, such as helping attractive young men find a religious vocation as Galli, priests of Cybele and/or Attis.

Cybele castration clamp

Makes your eyes water, doesn’t it?

Apparently this implement was vandalised before being thrown in the river.  The author whom I read[3] stated that the Christians — the fiends! — destroyed it.

I imagine it will be a while before the pseudo-pagans of our day reimplement this particular feature of ancient paganism.

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  1. [1]Book 3, No. 91.
  2. [2]Image from Wikimedia Commons, but I’ve seen an “open” version of the same in a book recently so it is genuine.
  3. [3]Lesley Adkins, Handbook to Life in Ancient Rome, p.289, I think, although I cannot access the page at the moment.

Mithras and Ormazd in Britain

I have continued to add material to the new Mithras pages.  In particular I am trying to track down photographs, drawings, anything on the monuments. I’m having quite a bit of luck in doing so, although I can see that I might have to do some photography trips.

One item today caught my eye.  It’s CIMRM 827.  It’s a silver denarius, found at St. Albans in Hertfordshire in the UK, the site of Verulamium.  But it’s been tampered with.  It was found in a layer of debris from 150-200 AD.

Originally it showed Tarpeia on one side.  This is the Roman woman who betrayed Rome to the Gauls in return for money.  The contemptuous Gauls then killed her by throwing their heavy shields onto her in a pile.  Here’s an example:

But now it looks like this:

Or better this:

(Isn’t it curious how Vermaseren’s photograph, the first one, doesn’t look right?)

The inscription has been removed from the reverse, leaving just a picture of someone buried under shields.  This looks very like Mithras rock-born.

But the obverse has been smoothed down, and an inscription added: MITHRAS OROMASDES, in a circle.  In the centre is the word PHREN.

Oromazdes is, of course, the Greek form of Ormazd, Ahura Mazda, the chief deity of Zoroastrianism, who appears under that name at the peculiar hierotheseon at Nemrud Dag, built by Antiochus I of Commagene to honour both Greek and Persian gods (and himself).  “Phren” is apparently a solar name from Graeco-Roman magic – Phre, equivalent to Re, the Egyptian term for the sun[1].  So this item — an amulet, a pass to the Mithraic meeting, whatever it may have been — ties together some very interesting ideas.  I don’t know of another genuine Mithraic item that mentions Ormazd.  And the link to magical material may be relevant to the appearance of Mithras in the Greek Magical Papyri.

So … not an afternoon wasted, in any sense.

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  1. [1]H. D. Betz, The Greek magical papyri in translation, vol. 1., p.338: “Phre: See Ra.” “Ra (Re, Phrē): The Egyptian god of the sun (P)rē, without the definite article. Re means simply ‘sun’, while Prē, the form of the god’s name from the New Kingdom onward, means ‘the sun’. See Bonnet, RARG 626-30, s.v. ‘Re’.”

Offline and forgotten … but still $126, thanks!

From time to time I find myself in uncharted waters.  The waters are always German, one finds; and the shouts that drift over the waters tend to things like “Hande hoch!” and “Internet Schwein!” and “Give us your money now, pig-dog”.

These melancholy reflections were brought on by my discovery that the artefacts of the Dieburg Mithraeum, discovered in the 1920’s and published by Behn, are illustrated in Behn’s 1928 book, Das Mithrasheiligtum zu Dieburg.  Nothing wrong with that, except … that it isn’t online.  It may be nearly 90 years old, but it is still only available if you pay De Gruyters money – and lots of it.

Here’s the page on the De Gruyters site.  The item is 47 pages, plus plates.  So $126 is a fantastic sum.  No-one would ever pay it, of course; but De Gruyters do the dog-in-the-manger thing.  “Ja, Ve own zis buch, and nobody gets to read it without our permission.  Ha!  Ja, if you want to read it, schwein, ve’re going to shaft you gut!”  Knowledge is considered merely an opportunity for profit.  I’m probably the first person in decades to want to consult it.

It’s contemptible, and it shows how corrupt the copyright situation has become.

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JSTOR: Now includes books, and more free stuff than before

A correspondent advises me to go to JSTOR; that “something is happening”.  So I do.  And … the website has changed.  A big heading … “A new chapter begins: search journals, primary sources and now books on JSTOR”.  Hmm.  How does that work?

There’s also better access to materials for those unfortunates who are not in full-time education.  You can’t download PDF’s, mind.  But you can read at least some articles for free online if you register.  I’m not sure how this works, as I now get full access via Oxford University’s alumnus programme.

All very welcome, all the same!

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Wiki-nonsense – material about Mithras of very dubious standing

I have been looking at a section of the article at the new Mithras pages on the initiation process into the cult.  This section is copied from the Wikipedia Mithras article as it was at the start of 2011, before the article was deliberately poisoned.  But that doesn’t mean, necessarily, that it is sound.  I’ve been looking at some of the material, and getting ever more suspicious.

Elsewhere, as at Dura Europos, Mithraic graffiti survive giving membership lists, in which initiates of a Mithraeum are named with their Mithraic grades. At Virunum, the membership list or album sacratorum was maintained as an inscribed plaque, updated year by year as new members were initiated.  By cross-referencing these lists it is sometimes possible to track initiates from one Mithraeum to another; and also speculatively to identify Mithraic initiates with persons on other contemporary lists – such as military service rolls, of lists of devotees of non-Mithraic religious sanctuaries.

These are authoritative-sounding claims.  But … there isn’t a single reference for any of them.  Continuing…

Names of initiates are also found in the dedication inscriptions of altars and other cult objects.  Clauss noted in 1990 that overall, only about 14% of Mithriac names inscribed before 250 identify the initiates’ grade – and hence questioned that the traditional view that all initiates belonged to one of the seven grades. [=Manfred Clauss, “Die sieben Grade des Mithras-Kultes”, ZPE 82, 1990, p.183-194]

That’s the only reference.  The paragraph continues:

Clauss argues that the grades represented a distinct class of priests, sacerdotes.  Gordon maintains the former theory of Merkelbach and others, especially noting such examples as Dura where all names are associated with a Mithraic grade.  Some scholars maintain that practice may have differed over time, or from one Mithraea to another.

And there it ends, again without a reference.

Now doesn’t that all sound authoritative?  It does, even to someone like myself who has read a lot of Mithras material.  But … I have been looking at this stuff, and getting less and less happy.

Firstly, Clauss’ article from the ZPE is actually accessible online here, although the Wikipedia article quietly fails to link to it.   Now German is not one of my better languages, but even I can find the numeral “14 %” in a PDF file.  And it occurs, not as above, but in this context:

Umgekehrt stammen aus den Provinzen, die 66% des Gesamtmaterials der Namen beisteuern, lediglich 29% der Inhaber von Graden. Besonders kraß ist das Mißverhältnis in den Donauprovinzen, aus denen über 43% aller Kult-Anhänger bekannt sind, aber nicht einmal 14% der in die Grade Eingeweihten.

Conversely from the provinces, which account for 66% of the total material with names, come only 29% of the holders of grades of initiation.  The disproportion is particularly glaring in the Danube provinces, from which around 43% of all cult followers are known, but less than 14% of the known initiates.

That’s not what Wikipedia says.  In fact a few pages further on I find this summary of the epigraphic evidence:

Damit ergibt die Auswertung des epigraphischen Materials folgendes Bild: Innerhalb der Anhängerschaft des Mithras-Kultes gab es zwei Gruppierungen. Die überwiegende Mehrzahl der Mitglieder begnügte sich mit einer Einweihung in den Kult, engagierte sich darüber hinaus finanziell an dem Bau der Heiligtümer wie an ihrer Ausgestaltung durch Altäre, Reliefs und Statuen. Wie bei vielen uns unbekannten Kult-Anhängern werden sie sich auch an der Beschaffung der Verbrauchsmaterialien wie Kerzen, Weihrauch, Pinienzapfen und vor allem an den Lebensmitteln für die Kultmahle beteiligt haben.

Von dieser großen Gruppe läßt sich eine Minderheit abheben. Sie brachte das Engagement auf, sich der sicherlich langwierigen Prozedur der stufenweisen Initiation in die sieben Grade zu unterziehen, um dann die Opfer, den Kultvollzug und die Deutung der Kultlegende durchführen zu können. Dieses Engagement war vor allem dort vorhanden, wo der Mithras-Kult länger verankert war, also in Rom und Italien.

Thus the evaluation of the epigraphic material gives us the following picture: Within the followers of Mithras cult, there were two groups. The vast majority of the members were content with an initiation into the cult, were involved also in funding the construction of sanctuaries and their design, with altars, statues and reliefs. Like many cult followers unknown to us, they were also involved in the procurement of supplies such as candles, incense, pine cones and especially the food for the cult feast.

Out of this large group a minority sought elevation. They had the commitment to undergo the certainly lengthy procedure of the gradual initiation into seven grades, in order to perform the sacrifice, the cult implementation and interpretation of the cult legend. This commitment mainly existed where the Mithras cult was longer established, so in Rome and Italy.

There’s nothing in there about cult members who were not initiates.  Am I blind?  Or is this material really complete rubbish?

Secondly, what’s this about an album sacratorum at Virunum?  I’ve looked at the Virunum entries in the CIMRM.  There’s no such item there.  The only use of the term, indeed, is CIMRM 325, a marble tablet from Portus in Italy, reprinted from the CIL and obviously long lost.  This does indeed give a list of names, and mentions a “pater” and a “leo” (and that’s all).

What about Dura Europos?  I find a graffito in CIMRM 54, which gives names.  But the CIMRM entry doesn’t describe it in these terms.  It reads: “On behalf of the victory of our Imperial Lord, NAMA THEO MITHRAI, NAMA to the fathers Libeianos and Theodorus, NAMA also to Marinus the PETITOR, NAMA to all the SYNDEXIOI in the presence of the god.”[1]  Is that what most of us would understand from the Wikipedia article?

I don’t know who wrote this stuff, why, or when.  Yet, if it fails these simple tests of verification, this very authoritative-looking stuff has to be considered as rubbish.  All that stuff about cross-referencing lists of members … erm, how?  What lists?

Wikipedia has no mechanism to detect rubbish of this sort.  Nor can such a mechanism be devised.  It is only possible to fix this, through sheer human effort.  It is likely, therefore, that much of the material in the site is similarly dubious, and impossible to detect.  I certainly never was moved to check any of this, in the two years that I worked on that article.  The troll who currently owns it wouldn’t dream of doing such a task as verifying anything unless he disagreed with it.  So … whoever could do so?

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  1. [1]Leroy A. Campbell, Mithraic iconography and ideology, Brill, 1969.  He adds, “Here Mithras is still Theos Mithras, as on the Zenobios relief of A. D. 170/171 (40*), and not Helios Mithras.”

English translation of the Epistula Apostolorum now online

A note from Dr Anthony Alcock to say that he has translated the Coptic Epistula Apostolorum for us all.  The PDF is here:

So what is this text?  It seems to be a Greek text of the 2nd century A.D., extant only in translation, in a fragmentary Coptic version; in a complete Ethiopic version, probably made from the Coptic via an Arabic intermediary; and in a Latin palimpsest.  Dr Alcock has translated the Coptic text for us.

I must make it clear that this is not a work of scholarship, merely an attempt to present a reliable English version of the Coptic text in the hope that it may be of some use to those interested in early Christian literature.

 Undoubtedly it is.  Well done!

Update: I find that Dr Alcock has also published this at Alin Suciu’s excellent blog here.  The more the merrier!

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From my diary

I’ve spent some time this morning on CIMRM 829.  This is the supposed Mithraeum in Colchester, not from from the temple of Claudius.  It’s not actually that far away from me, so I had thoughts of going to see it when I was better.  On a raw, frosty morning like today, of course, such a trip is not to be thought of!

There doesn’t seem to be any actual hard evidence associating it with Mithras at all.  The association seems to be the product of one man’s imagination.

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A lovely view of the hierostheon at Nemrud Dag

Antiochus of Commagene built a strange, syncretistic temple on the hill at Nemrud Dag, in which he depicted various Greek and Persian gods as identical.  Since one of the latter was Mithra, the monument appears in Vermaseren’s corpus of Mithraic monuments, under the impression that Persian Mithra is the same as Roman Mithras (which it isn’t).

Including this data in my new site is not a high priority, but I have just added an entry for CIMRM 28, the first entry for Nemrud Dag.  Why?  Because of this gorgeous image of the site, which I found on Flickr here.

I only wish there was a larger photo available!

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From my diary

I have flu and can’t do anything!  Rats!  But I did manage to add CIMRM 335 to my Mithras pages.  It’s a marble relief of Mithras killing the bull, with some quite clear images of the other figures that hang around while the Persian guy is sticking it to the bull.  So it gets referenced quite a bit.  I noticed David Ulansey referred to it, while discussing the meaning of Cautes and Cautopates.

What’s interesting about this relief is … it’s lost.  Indeed it’s long since been turned into lime and pasted between some renaissance bricks.  Franz Cumont, in his collection of 1894, could do no more than reproduce the  line-drawing given by Montfaucon in the 18th century.  Which is not great, since the original was found and published in 1564.

One of the marvellous things about the web is that you can find original materials.  In the days when we all had to rely on libraries, you’d be very lucky if your research library even had the book.  The chances were that you wouldn’t be allowed to handle a book of that era.  As for getting a copy of a page… oh no!  Ask and the librarian would look down their long nose and make quite clear that you were not likely to be allowed to do that.  Dear me, no!  At the most you might get a very poor quality reproduction.

Today I just typed the stuff into Google, and in seconds came to the University of Chicago site, found the original, downloaded it — thoughtfully they indicated their permissions policy — uploaded it and was all done in less time than it took an old-type clerk to purse his lips and look distasteful.

Magic!

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How we would prefer not to discover antiquity – Durighello and the Sidon Mithraeum

The Mithraeum at Sidon is lost.  Indeed it was never discovered.  Our knowledge of it rests on two things; a small collection of exquisite statuettes in Parian marble, now in the Louvre; and a letter by their finder, a certain Edmond Durighello.

Durighello’s letter was published in the obscure journal, le Bosphorus egyptien.  A year later, in 1888, it was reprinted by Solomon Reinach in the revue archeologique.  It is here.  My transcription and translation are here.

Let us look at what Durighello says:

The “Egyptian Bosphorus” August 19, 1887, published the following article, which had the honour to be reprinted in the official diary of Madrid news. So beautiful a specimen of fanciful archaeology should not be allowed to fall into oblivion.  Three lines of this article are certainly truthful, although they refer to facts already old; we reproduce the rest without guarantee, in the hope that it may prove to be true.

The cult of Mithras is of Persian origin. Mithras is the god Ormuzd of the Persians.  His cultus, which followed the victorious armies of the Persian kings, was established in the conquered countries and was somewhat transformed there, borrowing from the native cults some of their character. Until now, no temple of Mithras has been found intact, as the rage of Constantine broke like a devastating hurricane over every monument of idolatry. The temple of Sidon alone escaped destruction.

It is several meters underground, completely buried in the rubble. If it was said to someone in passing, while walking on the ground under which the temple lies, that under our feet there are beautiful rooms filled with archaeological treasures, he would be legitimately  astonished, because nothing on the surface reveals the existence of these mysterious vaults. I was able to visit this sanctuary, and here is the description.

It seems that the followers of the cult of Mithras in the city of Sidon, on the publication of the first edict of Constantine, were eager to wall up the door of their secret temple. Perhaps they were victims of the politics which caused Constantine to take action against the idolaters. The fact is that the temple remained hidden and unknown until my subterranean researchs in the rubble in Phoenicia led me to its mysterious entrance. The wooden door was destroyed by moisture; it gave onto a long corridor encumbered by earth which had partly filled it. To the height of a man on both sides of the corridor, in fourteen niches, are placed marble statues of 1m, 10 in size, representing the priests, or rather warriors of all ages, armed at all points with a the military appearance.

At the end of this corridor is a large circular room, whose dome is supported by twenty-four columns forming twelve corners. Each of these corners contains a kind of altar; at the foot of these altars, marble beds of bizarre forms still retain traces of the mysteries that were performed here. On these twelve altars are large marble bas-reliefs on which are carved the signs of the zodiac, and in the free space may be seen, painted on the wall, some extraordinary figures it is impossible to describe here, because of their obscenity; some candelabras or torch-holders, of marble and bronze, true masterpieces of execution, are placed on pedestals of excellent work. This room is paved with mosaics of colored glass inlaid with gold; in the middle is a huge marble bull whose horns are plated with gold; before this bull is a narrow opening leading by a stairway of twelve steps to seven rooms underground, carved into the living rock and giving onto one another by iron gates, all rusty, detached from their hinges, littering the thresholds; the size of these rooms decreases more and more until, with the seventh and last, there is only a space in which twenty people may be  cramped; the walls of these rooms are decorated behind many marble altars, bearing groups of statues arranged into scenes which are remarkable for the varieties of figures as for the whole. On all these altars, the oriental Venus dominates, and the characters that compose the scene wear the heads of different animals. White marble, ivory, bronze, silver, and especially gold, are used in abundance. I have sent from all these treasures only a dozen statues that are now with M. de Clercq in Paris.

When the Turkish government decides to honour its commitments to me, scientists will have the pleasure to study and admire this superb temple.

Edmond Durighello.

In other words, “Give me money and I will show you where it is.  You’ve got no chance of finding it without me.”

It is not difficult to see why Reinach was dubious.  So little of this corresponds to anything found in any Mithraeum.

And yet … there is this:

CIMRM 75 - The Sidon Tauroctony. In the Louvre.

And there is a collection of rather less than a dozen lovely statuettes.

It would be interesting to know whether there really was a Mithraeum at Sidon!

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