Another image of old St Peters in Rome

Old St Peters in Rome was not demolished until the end of the 16th century, so there ought to be quite a number of engravings and artists’ depictions of it.  I confess, tho, that I know little about early engravers, and so don’t know where to look.

The following item, from 1575, is by Giovanni Battista De’Cavalieri, and shows the drum of the new basilica rising behind the old portico.  Thankfully the British Museum make it available online here, with the explanation “The ceremony of the opening of the Porta Santa for the Jubilee of 1575, with crowds of pilgrims standing in the Piazza San Pietro with the new cathedral rising behind the old one.”

old_st_peters_portico_1575What I don’t know is how this engraving was originally issued.  Was it really a free-standing item?  Or part of a book?

It’s very interesting to see, all the same.  That portico at the front is conspicuous in all the engravings.

UPDATE: Joseph Yarbrough has sent me a link to De Cavalieri’s book Urbis Romae aedificorum illustriumque on Archive.org here.  This has marvellous images of the Roman monuments in his day (although not this print).

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A drawing of Old St. Peter’s and the Vatican palace from 1535

I stumbled across the following sketch here.  It shows Old St Peters (left).  On the right is the wall that leads even today to the Castell Sant’Angelo, so the viewpoint is more or less that of every modern photograph of St Peters.

From this, it is easy to see why the old basilica was not impressive enough for the renaissance popes.  It reminds one rather of the church of the holy tomb in Jerusalem.

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The church that Constantine built over the grave of St. Peters, 1450

We all know that during the 4th century the emperor Constantine constructed a Roman basilica over the grave of St. Peter.  This was replaced during the renaissance with the current structure, as the old church had become structurally unsound during the interval.

A reconstruction of the old church, drawn in 1891, is here:

It would be interesting to know the authorities on which this drawing was based.  Are there, indeed, old sketches of the basilica?  There surely ought to be!  And it was a Roman basilica, preserved intact, so should be of interest to classicists.

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